Screenings:
- Toronto International Film Festiva (2013)
- New York Film Festival (2013)
- Migrating Forms, Brooklyn, NY (2013)
- International Film Festival Rotterdam, Netherlands (2014)
- Image Forum, Tokyo, Japan (2014)
- CONVERSATIONS AT THE EDGE, Gene Siskel Film Center, Chicago, IL (2014)
- Microlights, Milwaukee, WI (2014)
- Bucharest International Film Festival (2014)
- Microlights, Milwaukee, WI (2014)
- Viennale, Vienna, Austria (2014)
- Suburban PS, Rotterdam, Netherlands (2014)
- Pacific Film Archive, Berkeley, CA (2014)
- Bucharest International Experimental Film Festival (2014)
EL ADIOS LARGOS
2013, 13 minutes, 35mm-on-16mm-on-digital.
Edited by Jody Blyer. Script by Angelina Fernandez. Score by John Williams. Cinematography by Vilmos Zsigmond.
In 1973, Robert Altman's THE LONG GOODBYE was both a critical and commercial flop. Set in a time transposed, neo-noir Los Angeles, Elliott Gould's bumbling performance as gumshoe Philip Marlowe left Raymond Chandler aficionados dismayed, as did Vilmos Zsigmond;s kinetic camera work and John Williams' cheeky score. The film quickly disappeared from theaters and was never shown on television. While the film was released on RCA's short-lived Video Disc format in 1981, the movie has not been seen since. All known prints were destroyed, and the original production elements perished due to a leaky sprinkler system in a Culver City in 1983. THE LONG GOODBYE was written off as permanently lost, an all too important missing link from Altman's greatest period. It has for years remained a film that is impossible to reassess.
Filmmaker and archivist Andrew Lampert’s serendipitously purchased a mysteriously film titled EL ADIOS LARGOS from a collector through the mail in 2002. Closer examination revealed that this 16mm, black and white, cropped, Spanish-language dubbed print was actually a reduction copy of Altman’s 35mm, color, widescreen, English-language masterpiece. Knowing the importance of his discovery, Lampert and a team of volunteer preservationists, including colorization expert Jody Blyer, set out on a decade-plus mission to preserve this unearthed gem using the latest digital technology. Lampert has gone to extensive lengths to painstakingly produce the most authentic, thoroughly accurate version that can be made given the considerable difference in materials.
Distributed by EAI